We present you with the best runway shows in the history of Fashion Weeks, from John Galliano‘s great operatic show for Dior in the spring-summer of 1998 to Kerby Jean’s celebration of the history of black music. Raymond’s for Pyer Moss for Spring-Summer 2020.
The show’s show has always been performative, from the Parisian couture salons that hosted seasonal collections in the early 1800s to the New York Fashion Week shows, which sprang up in downtown lofts and in industrial buildings abandoned during the 80s.
Dior Haute Couture spring-summer 1998
There was nowhere where Galliano could express his love for theatricality as much as he did at Dior. For his 1998 spring-summer show, Galliano took his attendees on an operational journey through sophistication, setting the parade staging at the historic Palais Garnier opera house in Paris. There was an orchestra, tango dancers, and dozens of extras dressed as characters from some of the best operas in the world and, of course, a Galliano at the height of his dramatic power.
Chalayan autumn-winter 2000
Hussein Chalayan’s interest in the relationship between the human body and science has led him to perform some of the most inventive parades shows ever staged – usually at Sadler’s Wells dance hall – which could hardly be more. appropriate. In her fall-winter 2000 show, her model transformed chairs into dresses and a side table into a folding skirt made of hoops. It went beyond fashion, becoming a shady piece of physical theater in its own right.
Alexander McQueen spring-summer 2004
Few shows are as memorable as was the collection Deliverance from Alexander McQueen in 2004. Based on ‘ They Shoot Horses, damn ‘, the classic film of Sydney Pollack, 1969, a story about young dancers growing up in poverty in the era of Depression, McQueen hired professional dancers to convey the idea of dancing to her own death, culminating in Karen Elson in a tattered dress, being carried like a lifeless body across the stage. All choreographed by contemporary dance master Michael Clark. It gave signs of exhaustion within the fashion industry back then, something that has especially emotional significance today given McQueen’s suicide six years later.
Chanel spring-summer 2012
The concept of the fashion show as a spectacle found its way into some of the biggest brands in the world (and biggest budgets). None were as willing to boast of the wealth of their billionaire giant as the enormous and now deceased Karl Lagerfeld. His marked-themed fashion shows, usually held at the Parisian Grand Palais, transported attendees to Chanel-brand supermarkets, demonstrations, and airports. In addition, he was not someone who lost the opportunity when using the narrative power of music was about. His 2012 underwater fantasy ended with Florence Welchemerging, like a Venus, from a shell while wearing a pearl couture gown to sing her song ‘ What the Water Gave Me.
Rick Owens spring-summer 2014
For something a little more subversive, we have to look at Rick Owens: whether it be thundering with plumes of smoke to darken the catwalk, or literally tying models back to back with each other, the strange and wonderful concepts of the designer have become his card. visit. For his spring-summer 2014 show in Paris, he recruited a step team – a mix of military exercise and cheerleaders from Historically Black High Schools and Universities (HBCUs) – to perform. Here, Owens introduced historically ignored corners of the performing arts to a whole new audience, making an effort to shed outdated cultural stereotypes in the process.
Opening Ceremony spring-summer 2017
Humberto Leon and Carol Lim have always welcomed the world of dance with open arms; Who could forget the iconic ad for the Kenzo fragrance directed by Spike Jonze in 2016? The following year they presented their spring-summer 2017 collection for Opening Ceremony with a dance show choreographed by Justin Peck that channeled a frenzied spirit similar to the one in the ad. Staged just four days after the inauguration of the Trump administration, the dancers’ furiously defiant movements felt most anarchic and charged with political significance.
Moschino Cruise 2019
The relationship between fashion and acting can also manifest itself in the form of pure Camp entertainment – and no one understands the unbridled playfulness and frivolity of Camp better than Jeremy Scott. To show the circus-themed beauty contest located in Los Angeles for the Cruise 2019 collection of the Italian house. Embracing her own ringleader role in all her bizarre vulgarity, the final installment with circus performers (alongside RuPaul’s Drag Race star and burlesque artist Violet Chachki ) ended with a spectacular aerobatics routine.
Dior spring-summer 2019
The decidedly feminist vision of Maria Grazia Chiuri has made women hold powerful artists from around the world, from the Nigerian writer Chimamanda Ngozi Adichie until jockeys Mexican rodeo. In the spring-summer 2019 collection, Chiuri turned her gaze to Israeli choreographer Sharon Eyal, founder of the Batsheva Dance Company. The designer’s usual muses – Ruth Bell, Adesuwa, or Selena Forrest, among others – zigzagged across expansive petal-covered scenery as dancers swayed in tribute to legendary American ballerina, Martha Graham. It was a comfortingly feminine performance in the face of the often aggressive alpha male energy of runway shows.
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